(AGENPARL) - Roma, 3 Marzo 2023 - (AGENPARL) – ven 03 marzo 2023 Concerts from the Library of Congress: March Events []
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March Events
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Ars Nova Copenhagen, Paul Hiller, artistic director
Monday, March 20, 2023, 8:00 pm
St. Marks Episcopal Church
301 A Street SE, Washington DC 20003
With “My end is my beginning,” the gorgeous voices of Ars Nova Copenhagen link the worlds of Machaut and Gibbons to those of the 20th-century and beyond. Known for their performances of early and new music, the ensemble led by Paul Hillier is equally at home voicing the Cries of London and Copenhagen. The second half of their concert is devoted to a recent work by Caroline Shaw, the title of which suggests some delicate origami in its construction.
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Stephen Hough, Piano
Tuesday, March 21, 2023, 8:00 pm
St. Marks Episcopal Church
301 A Street SE, Washington DC 20003
Sir Stephen Hough brings his trademark eloquence and precision to a recital filled with music by composers close to his heart. From the mysterious and mystical realms of Mompou and Scriabin to the evocative imagery of Debussy and Hough’s own Partita, Hough leaves a stamp on all of this repertoire. His recital closes with a suite of pieces selected from the second volume of Liszt’s Années de pèlerinage—the famous Petrarch sonnets as well as the astounding “Dante Sonata.” The Library has several works by Mompou in its collections, and an original song manuscript that is a darker revision of one of Liszt’s most beloved songs and piano transcriptions, the Sonetto 104 del Petrarca.
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Immanuel Wilkins Quartet
Friday, March 31, 2023, 8:00 pm
Arena Stage at the Mead Center for American Theater
1101 6th St. SW. Washington DC 20024
Saxophonist, composer and arranger, Blue Note artist and Downbeat Rising Star, Immanuel Wilkins is a vital voice in a new generation of jazz thinkers. “His sound is most often silky and lush…with a gorgeous tone and phrasing… but he can shift into a grittier gospel feel or an airier whisper as the art requires.” (Pop Matters.com). “My work is the intersection between spiritual practice and Black aesthetics,” Wilkins says, referencing John Coltrane and the music of the Baptist and Pentecostal churches of his Philadelphia childhood. Last fall, he toured major jazz havens in Europe, hitting festivals in Stockholm, Berlin and Madrid and venues like Hamburg’s Elb Philharmonie. In March, after a residency at New York’s The Stone, performing with Bill Frisell, Susie Ibarra and other colleagues, Wilkins makes a stop at the Library as part of a nationwide swing across the heartland with his longtime quartet: Micah Thomas on piano, Rick Rosato on bass, and Kweku Sumbry on drums.
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